Writing

 Areez Katki  Dwelling , 2017 (mattress, bolster and cushion, woven silk textile with cotton thread embroidery and cotton fibre inner) in  Marabar Caves,  Gus Fisher Gallery, 2017. Image: Sam Hartnett.

Areez Katki Dwelling, 2017 (mattress, bolster and cushion, woven silk textile with cotton thread embroidery and cotton fibre inner) in Marabar Caves, Gus Fisher Gallery, 2017. Image: Sam Hartnett.

 
 
 
 

Selected writing projects

2018

‘body/building: The 2018 Walters Prize’ (essay) in Art New Zealand, Number 168, Summer 2018-2019.

'White Women's Convention?' (essay) in Auckland Art Gallery's Reading Room: A Journal of Art and Culture, Politics in Denial, Issue 8, 2018.

'A Manner of Speaking: Sriwhana Spong's Govett Brewster Residency' (essay) in Art New Zealand, Number 167, Spring, 2018.

'Wendelien Bakker: Prospecting' (essay) The Physics Room, Christchurch

'Attuning to People, Places and Things: Neck Adornment and Contemporary Art' (essay) for pantograph-punch.com

'Pointing out event-lets' (essay) in Enjoy gallery's The Occasional Journal 2018: To Find a Place, Wellington.

2017

‘Provisional Arrangements: Ruth Watson’s Geophagy’ (essay) in Art New Zealand, Number 163, Spring, 2017.

‘transactions, frank’ (essay) Blue Oyster Annual, Dunedin.

‘gesturing “whatever” (review) for circuit.org.nz

2016

‘Sparkling Winter Tonic: Elle Loui August’s Mercury’ (review) for pantograph-punch.com

‘I write in haste, in near darkness: Joyce Campbell’s Flightdream’ in Art New Zealand, Number 159, Spring, 2016.

2015

‘Pre-loved theories’ (exhibition catalogue) Artspace, Auckland.

‘through the skin, the world and body touch…’ (essay) in ‘Soft’ issue of Le Roy Journal 3.

‘The Miracle that is my body: Megan Dunn’ (essay) Circuit Summer Reading Series #2, for circuit.org.nz

‘Amy Howden Chapman: They Say Ten Thousand Years’ (exhibition catalogue) Te Uru Waitakere Contemporary Gallery, Auckland.

2014

‘Amelia Hitchcock ‘to and fro’ Critical Text #5 (exhibition catalogue) at Artspace, Auckland.